"We hope at some point to do video recording at the same time on a YouTube channel so people can watch."īenton already has numerous ideas for future podcasts, including a history of some of the more recognizable albums recorded in the studio, including Boz Scaggs' second album. "As it grows, we may amp that up," Hyde said. Hyde said the podcasts will be quarterly at first, but could expand in frequency in the future. The studio is the sister studio next door to RCA Studio B which opened. In July 2016, Cobb took residency of RCA Studio A on Nashville’s Music Row. The two ended up making East’s record, Delilah, which was recorded at legendary FAME Studios in Muscle Shoals. That's what you want a podcast to do, and it's easy to understand his voice."īenton said he's getting some help from Nina Jackson, the production manager at Big River Broadcasting, who will serve as his de facto producer. Cobb met singer-songwriter Anderson East at Nashville’s legendary Bluebird Caf. "I volunteered him to do that," Hyde said. Hyde said research indicates listeners lose interest after about 20 minutes.ĭuring staff discussions, Hyde said Benton asked who would actually speak on the podcast. Hyde said each edition of the podcast will last 20 minutes. It will take marketing to the next level." It's another marketing tool to get it out there. "It's really good exposure," Wilson said of the studio entering the podcasting world. Wilson said the podcast idea came from studio Manager Anna Hyde, First Impressions Coordinator Mallory Kirk and tour guide Terrell Benton, who will record the podcast. "The Cher sessions will be literally 50 years old on the 19th. In Studio A, the grand piano and Spooner Oldham’s Wurlitzer are still there. "That's the thing that got us started," Wilson said. Muscle Shoals became a music hub to rival Detroit and Memphis, having managed to start Aretha Franklin on her way. Eddie Hinton played lead guitar and Jeannie Greene, Donna Jean Thatcher, Mary Holladay and Sue Pilkington provided backing vocals. The album featured the studio's rhythm section - Barry Beckett on keyboards, Roger Hawkins on drums, David Hood on bass and Jimmy Johnson on guitar.
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